David Sanford has received commissions from the Boston Modern Orchestra Project, Speculum Musicae, the Meridian Arts Ensemble, the Fromm and Koussevitzky Foundations, and the Barlow Endowment; his works have been performed by the Berkeley Symphony Orchestra under Kent Nagano, the Cabrillo Festival Orchestra under Marin Alsop, the Chamber Music Society of Lincoln Center, and the Chicago Symphony Chamber Players among others.

His honors include the Rome Prize, fellowships from the Guggenheim Foundation, the American Academy of Arts and Letters, and the Radcliffe Institute, and he was the arranger for cellist Matt Haimovitz’s Grammy Award-nominated album Meeting of the Spirits. The title track of the Boston Modern Orchestra Project’s recording of the composer’s works, Black Noise, was named one of “The 25 Best Classical Music Tracks of 2019” by the New York Times (https://www.nytimes.com/2019/12/12/arts/music/best-classical-music.html)

He received degrees in theory and composition from the University of Northern Colorado, New England Conservatory, and Princeton University, and is currently Elizabeth T. Kennan Professor of Music at Mount Holyoke College and the director of the David Sanford Big Band.

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“Mr. Sanford’s big-band bona fides have long been established. But this [Black Noise/Boston Modern Orchestra Project, Gil Rose, conductor] is the first full-length recording that documents his approach to the orchestra, which encompasses Boulez-influenced harmony and Mingus-style propulsion. This latest triumph doubles as a leading question: Why isn’t every major orchestra in America commissioning him?”

– Seth Colter Walls, New York Times, December 12, 2019